ABOUT THE AUTHOR:
Robert Olen Butler has published sixteen novels—The Alleys of Eden, Sun Dogs, Countrymen of Bones, On Distant Ground, Wabash, The Deuce, They Whisper, The Deep Green Sea, Mr. Spaceman, Fair Warning, Hell, A Small Hotel, The Hot Country, The Star of Istanbul, The Empire of Night, Perfume River—and six volumes of short fiction—Tabloid Dreams, Had a Good Time, Severance, Intercourse, Weegee Stories, and A Good Scent from a Strange Mountain, which won the 1993 Pulitzer Prize for Fiction. Butler has published a volume of his lectures on the creative process, From Where You Dream, edited with an introduction by Janet Burroway.
In 2013 he became the seventeenth recipient of the F. Scott Fitzgerald Award for Outstanding Achievement in American Literature. He also won the Richard and Hinda Rosenthal Foundation Award from the American Academy of Arts and Letters and was a finalist for the PEN/Faulkner Award. He has twice won a National Magazine Award in Fiction and has received two Pushcart Prizes. He has also received both a Guggenheim Fellowship in fiction and a National Endowment for the Arts grant. His stories have appeared widely in such publications as The New Yorker, Esquire, Harper’s, The Atlantic Monthly, GQ, Zoetrope, The Paris Review, Granta, The Hudson Review, The Virginia Quarterly Review, Ploughshares, and The Sewanee Review. They have been chosen for inclusion in four annual editions of The Best American Short Stories, eight annual editions of New Stories from the South, several other major annual anthologies, and numerous college literature textbooks from such publishers as Simon & Schuster, Norton, Viking, Little Brown & Co., Houghton Mifflin, Oxford University Press, Prentice Hall, and Bedford/St.Martin and most recently in The New Granta Book of the American Short Story, edited by Richard Ford.
His works have been translated into twenty-one languages, including Vietnamese, Thai, Korean, Polish, Japanese, Serbian, Farsi, Czech, Estonian, Greek, and most recently Chinese. He was also a charter recipient of the Tu Do Chinh Kien Award given by the Vietnam Veterans of America for “outstanding contributions to American culture by a Vietnam veteran.” Over the past two decades he has lectured in universities, appeared at conferences, and met with writers groups in 17 countries as a literary envoy for the U. S. State Department.
He is a Francis Eppes Distinguished Professor holding the Michael Shaara Chair in Creative Writing at Florida State University. Under the auspices of the FSU website, in the fall of 2001, he did something no other writer has ever done, before or since: he revealed his writing process in full, in real time, in a webcast that observed him in seventeen two-hour sessions write a literary short story from its first inspiration to its final polished form. He also gave a running commentary on his artistic choices and spent a half-hour in each episode answering the emailed questions of his live viewers. The whole series, under the title “Inside Creative Writing” is a very popular on YouTube, with its first two-hour episode passing 125,000 in the spring of 2016.
For more than a decade he was hired to write feature-length screenplays for New Regency, Twentieth Century Fox, Warner Brothers, Paramount, Disney, Universal Pictures, Baldwin Entertainment Group (for Robert Redford), and two teleplays for HBO. Typical of Hollywood, none of these movies ever made it to the screen.
Reflecting his early training as an actor, he has also recorded the audio books for four of his works—A Good Scent from a Strange Mountain, Hell, A Small Hotel and Perfume River. He was awarded an Honorary Doctorate degree from the State University of New York system. He lives in Florida, with his wife, the poet Kelly Lee Butler.
From one of America’s most important writers, Perfume River is an exquisite novel that examines family ties and the legacy of the Vietnam War through the portrait of a single North Florida family.
Robert Quinlan is a seventy-year-old historian, teaching at Florida State University, where his wife Darla is also tenured. Their marriage, forged in the fervor of anti-Vietnam-war protests, now bears the fractures of time, both personal and historical, with the couple trapped in an existence of morning coffee and solitary jogging and separate offices. For Robert and Darla, the cracks remain under the surface, whereas the divisions in Robert’s own family are more apparent: he has almost no relationship with his brother Jimmy, who became estranged from the family as the Vietnam War intensified. Robert and Jimmy’s father, a veteran of WWII, is coming to the end of his life, and aftershocks of war ripple across their lives once again, when Jimmy refuses to appear at his father’s bedside. And an unstable homeless man whom Robert at first takes to be a fellow Vietnam veteran turns out to have a deep impact not just on Robert, but on his entire family.
Let me start by saying that this is a very complex and meaningful read that explores a multitude of weighty themes that need a special skill to woven and Butler has done so marvellously. For a numerous time I am falling in love with the fluidity of language that the author possesses; his prose touches the right chord every time and they managing of time-shifts is handled with such easy that it exceeds perfection.
Elegant and strong it is a search for truth rather than for redemption or reconciliation. It is a novel of greatness as it spans over half a century to explore the lives of the Quinlan’s under the shadow of the Vietnam war. Through this exploration, Butler raises the postulates of human existence to question them one more time. What is right, and what wrong; how to maintain courage in the face of danger and most importantly how to live with the decisions you make? A worthy story, well told that will move most readers, especially those who grew up in the Vietnam war era. It is above all a read that will challenge your perception of war, how a family can divide over it, one going to war, the other escaping to Canada; and how all changes for ever.
I cannot fully relate to the subject matter as I am a kid of the 90s, but i can assure you it resonates on a very deep and personal level for everyone who attempts to read it. There is a feeling of oppression & suppression throughout this novel. We are invited into this world to disentangle threads – in our own mind. At least that’s what I keep doing. It teleported me into a state of mind that very few books have managed to successfully throw me in. I am still recovering… Maybe on a later date in time I will have some more to say, but for now I will let it sink into the soil of my soul to water it with kindness and thoughts.